So Bass Guitar Exercises dummies A Wiley Brand Refine your technique with bass guitar exercises F | E не | 1 Practice tempo. Start reading Bass Guitar Exercises For Dummies for free online and get access Complete with a bonus downloadable content, this book gives bassists a. Start reading Classical Guitar For Dummies for free online and get access to Tune your guitar; Play along with exercises and pieces on the audio CD.
 
 

 

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While working toward a doctorate in music theory at Northwestern, Phillips taught classes in theory, ear-training, sight-singing, counterpoint, and guitar. Jon Chappell is a multistyle guitarist, transcriber, and arranger. Schindler Indexer: Rebecca R.

King — Even Elvis Presley, whose guitar prowess may not have exceeded five chords, still used the guitar effectively onstage as a prop. The list goes on. Playing acoustic guitar can make you the star of the vacation campfire singalong. And playing any kind of guitar can bring out the music in your soul and become a valued lifetime hobby. About This Book Guitar For Dummies, 2nd Edition, delivers everything the beginning to intermediate guitarist needs: From buying a guitar to tuning the guitar, to playing the guitar, to caring for the guitar, this book has it all!

Finding a guitar Believe it or not, many would-be guitarists never really get into playing because they have the wrong guitar. Or maybe the strings are too difficult to push down causing a great deal of pain. Chant this mantra until you believe it, because this principle is central to the design of Guitar For Dummies, 2nd Edition.

One of the coolest things about the guitar is that, even though you can devote your lifetime to perfecting your skills, you can start faking it rather quickly. So how does Guitar For Dummies, 2nd Edition, deliver? Glad you asked. Fingerings that you need to know appear in photos in the book. Just form your hands the way we show you in the photos.

You can listen to all the songs and exercises on the CD in the back of the book. Doing so is important for a couple of reasons: You can figure out the rhythm of the song as well as how long to hold notes by listening instead of reading. Pretty cool, huh? Caring for your guitar A serious guitar is a serious investment, and, as with any other serious investment, you need to maintain it. Guitar For Dummies, 2nd Edition, provides the information you need to correctly store, maintain, and care for your six-string, including how to change strings and what little extras to keep stashed away in your guitar case.

Gee, this is a pretty equal-opportunity book! Okay, we do assume some things. We assume that you want to play a guitar, not a banjo, Dobro, or mandolin, and we concentrate on the six-string variety. And we assume that you want to start playing the guitar quickly, without a lot of messing around with reading notes, clefs, and time signatures.

Our main focus is helping you make cool, sweet music on your six-string. You also have our permission to skip over the gray-shaded sidebars you find in some chapters. Conventions We Use in This Book This book has a number of conventions that we use to make things consistent and easy to understand.

We apologize to those left-handed readers who are using this book, and we ask that you folks read right hand to mean left hand and vice versa. If we say to go down or lower on the neck, we mean toward the headstock, or lower in pitch. If we ever mean anything else by these terms, we tell you.

Those of you who hold your guitar with the headstock tilted upward may need to do a bit of mental adjustment whenever you see these terms. How This Book Is Organized We separate the book into two distinct kinds of chapters: information chapters and playing chapters. Information chapters tell you stuff about the nuts Introduction and bolts of the guitar, such as how to tune the guitar, select the right guitar, and care for the guitar.

The playing chapters provide you with the information you need to you guessed it play the guitar. Each playing chapter contains exercises that enable you to practice the skill we discuss in that particular section.

And at or near the end of each playing chapter, you find a section of songs that you can play that use the techniques in that chapter. We divide the chapters in Guitar For Dummies, 2nd Edition, into eight logical parts for easier access.

The parts are organized as follows: Part I: So You Wanna Play Guitar Part I provides three information chapters on some guitar basics that you need to know before you can start playing.

Chapter 1 helps you understand what to call the various parts of the guitar, and what they do. Chapter 2 tells you how to tune the guitar, both in reference to itself and to a fixed source — such as a tuning fork, piano, or electronic tuner — so that you can be in tune with other instruments.

Chapter 3 covers the basic skills you need to know to be successful in this book, such as how to read guitar tablature, how to pick and strum, and how to produce a clean, clear, buzz-free tone. Chapter 4, the first playing chapter, shows you the easiest way to start playing real music — with major and minor chords.

Chapter 5 goes over how to play simple melodies by using single notes, and Chapter 6 adds a little bit of oomph with some basic 7th chords. Chapter 7 provides you with the techniques that you use in playing in position, which not only makes you sound cool, but makes you look cool, too.

Chapter 8 tells you about playing barre chords, which refers to using one finger to lay across all the strings and then making chords in front of that finger. Chapter 9 goes into some special techniques for creating particular guitar effects, all with pretty cool-sounding names such as hammer-ons, bends, and slides.

Chapter 10, about the rock style, tells you about playing lead by using the pentatonic minor scale, playing solos in a box, and other rock stylings. Chapter 11, on blues, provides more lead boxes and special blues articulations and tells you how to get your mojo working. Chapter 13, on classical guitar, introduces you to techniques necessary to play Bach and Beethoven.

Chapter 14, the jazz chapter, presents jazz chords, rhythm playing, and soloing. Chapter 15 covers finding not only your first practice guitar, but also finding the second and third guitars often more difficult decisions than your first.

Chapter 16, on guitar accessories, gives you a primer on guitar amps, and goes over the little extras you need for a well-rounded assortment of equipment. Also included are two chapters on how to care for your guitar. Chapter 18 covers the basic maintenance and repairs that can save you money at the guitar store and keep you playing well into the night.

Chapter 19 should inspire you with ten great guitarists. And, Chapter 20, on ten classic guitars, may lure you to your local guitar store to acquire one of these babies for yourself. Appendix A succinctly explains what all those strange symbols on the staff mean and tells you just enough about reading music to get you by. Appendix B provides a handy table of 96 of the most commonly used chords. And Appendix C tells you about the CD that accompanies this book.

Icons Used in This Book In the margins of this book, you find several helpful little icons that can make your journey a little easier: Skip to a real song for some instant guitar gratification. Something to write down on a cocktail napkin and store in your guitar case. The whys and wherefores behind what you play. The theoretical and, at times, obscure stuff that you can skip if you so desire. Expert advice that can hasten your journey to guitar excellence. Yet, at the same time, you can also follow along from front to back and practice the guitar in a way that builds step-by-step on your previous knowledge.

Then browse through Chapter 3 on developing the skills that you need to play and dive straight in to Chapter 4. Moreover, you should stick to Chapter 4 until you start to form calluses on your fingers, which really help you to make the chords sound right without buzzing. After you buy your ax, you can get on with playing, which is the real fun after all, right? Finally, consult Chapter 3 or the card located in the seat pocket in front of you to review important operator information prior to actually engaging the instrument.

Sit back. The following sections describe the differences among the various parts of the guitar and tell you what those parts do. We also tell you how to hold the instrument and why the guitar sounds the way it does. Anatomy of a Guitar Guitars come in two basic flavors: acoustic and electric. From a hardware standpoint, electric guitars have more components and doohickeys than do acoustic guitars.

Guitar makers generally agree, however, that making an acoustic guitar is harder than making an electric guitar. But both types follow the same basic approach to such principles as neck construction and string tension. Figures and show the various parts of an acoustic and electric guitar.

Also called the tremolo bar, whammy bar, vibrato bar, and wang bar. On an electric, it consists of the housing for the bridge assembly and electronics pickups as well as tone and volume controls. On acoustic-electrics acoustic guitars with built-in pickups and electronics , the pin often doubles as the output jack where you plug in.

The fingerboard is also known as the fretboard, because the frets are embedded in it. The strings pass through the grooves on their way to the tuners in the headstock. The nut is one of the two points at which the vibrating area of the string ends. The other is the bridge. Not all acoustics have a strap pin. If the guitar is missing one, tie the top of the strap around the headstock.

See Chapter 17 for more information on changing strings. On an electric, the top is merely a cosmetic or decorative cap that overlays the rest of the body material. The string wraps tightly around a post that sticks out through the top, or face, of the headstock.

 
 

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A guitar-playing practice guide with hundreds of warm-up and technique-building exercises. If you already play some guitar but need some practice. Audio Tracks Download for free from this link at the back of the book 1 2 3 4 5 6 7 – Stretching Exercises. – How to String a Bass. While working toward a doctorate in music theory at Northwestern, Phillips taught classes in theory, ear-training, sight-singing, counterpoint, and guitar.