Or add an Avid audio interface or system and you can record through plugins with near-zero latency and get guaranteed performance. Experience the easiest audio comping workflow for creating flawless performances quickly. You can even cycle through different playlist takes to hear what works best and create something truly inspired. Shape, fix, chop, cut, and tweak audio and MIDI the way you want in a creative DAW that gives you limitless flexibility and freedom to play. Easily fix timing, beat match audio, and correct notes with Elastic Audio.

Or with Melodyne now integrated directly into Pro Tools via ARA 2 , you can quickly manipulate pitch and time in real time—without roundtripping audio. Quantize notes. Adjust note durations. Transpose recordings. Add dynamics by varying note velocities. Rearrange parts with Folder Tracks.

Or drag a MIDI clip to an audio track for more creative editing possibilities. Get the classic sounds of legendary analog gear—from compressors and EQs to unique effects—with over plugins to fine-tune tracks. Give your fans a whole new way to experience your music. Pro Tools offers the most advanced and accurate automation of any DAW. Automate anything—from track volumes and panning to plugin settings and sends—to achieve your best mixes possible.

Only Avid control surfaces —from the free Avid Control app to the modular S6—provide the unparalleled DAW integration needed to access tracks, plugins, sends, and more from the surface, speeding up editing and mixing. Music Music. Buy now. Open Search. Looking to create sound for picture?

Start here. Compare versions. Learn more. Pro Tools Artist Get all the tools, instruments, loops, sounds, and effects you need to start making music. Pro Tools Studio Get the industry-standard toolset and more plugins for professional music production. Pro Tools Ultimate Get the complete advanced toolset and workflows for music and audio post. Try the full-featured version of Pro Tools—free for 30 days Download now.

For example, virtual instruments can be frozen to free up system memory and improve performance while keeping the possibility to unfreeze them to make arrangement changes. The main mix of the session—or any internal mix bus or output path—can be bounced to disk in real-time if hardware inserts from analog hardware are used, or if any audio or MIDI source is monitored live into the session or offline faster-than-real-time. The selected source can be mixed to mono, stereo, or any other multichannel format.

Multichannel mixdowns can be written as an interleaved audio file or in multiple mono files. Up to 24 sources of up to 10 channels each can be mixed down simultaneously—for example, to deliver audio stems.

AAF and OMF sequences embed audio and video files with their metadata; when opened by the destination application, session structure is rebuilt with the original clip placement, edits, and basic track and clip automation. Track contents and any of its properties can be selectively exchanged between Pro Tools sessions with Import Session Data for example, importing audio clips from an external session to a designated track while keeping track settings or importing track inserts while keeping audio clips.

Pro Tools projects can be synchronized to the Avid Cloud and shared with other users on a track-by-track basis. Different users can simultaneously work on the project and upload new tracks or any changes to existing tracks such as audio and MIDI clips, automation, inserted plug-ins, and mixer status or alterations to the project structure such as tempo, meter, or key.

Pro Tools reads embedded metadata in media files to manage multichannel recordings made by field recorders in production sound. All stored metadata such as scene and take numbers, tape or sound roll name, or production comments can be accessed in the Workspace browser. Analogous audio clips are identified by overlapping longitudinal timecode LTC and by one or more user-defined criteria such as matching file length, file name, or scene and take numbers.

An audio segment can be replaced from matching channels for example, to replace audio from a boom microphone with the audio from a lavalier microphone while maintaining edits and fades in the timeline, or any matching channels can be added to new tracks. Up to twelve Pro Tools Ultimate systems with dedicated hardware can be linked together over an Ethernet network—for example, in multi-user mixing environments where different mix components such as dialog, ADR, effects, and music reside on different systems, or if a larger track count or processing power is needed.

Transport, solo, and mute are controlled by a single system and with a single control surface. Pro Tools software is available in three subscription-based paid versions Artist, Studio and Ultimate and one free version Intro.

In the mids, Digidesign started working on a studio device that could replace classic analog consoles and provide integration with Pro Tools. ProControl was the first Digidesign control surface, providing motorized, touch-sensitive faders, an analog control room communication section, and connecting to the host computer via Ethernet.

ProControl could be later expanded by adding up to five fader packs, each providing eight additional fader strips and controls. Control 24 added 5. Command 8 and D-Command were the smaller counterparts of Control 24 and D-Control, connected with the host computer via USB; Venue was a similar system specifically designed for live sound applications. They were integrated with Pro Tools along with the EuCon protocols.

From Wikipedia, the free encyclopedia. Digital audio workstation. For other uses, see Pro Tools disambiguation. Pro Tools List of languages. Retrieved December 17, July 25, Archived from the original on July 25, Sound on Sound. Retrieved February 5, Retrieved December 18, Pro Tools Concepts. Mixing to Dolby Atmos. Importing and Exporting Session Data. Avid Blogs. Retrieved May 13, September 28, EQ Mag.

Archived from the original on October 4, Retrieved December 13, May 30, March Archived from the original on June 6, Retrieved January 13, Emulator Archive. February 25, Archived from the original on February 25, August Retrieved June 20, Retrieved January 7, November Retrieved January 12, Music Technology. Retrieved August 18, Production Expert. The New York Times. ISSN Retrieved February 7, Archived from the original on June 7, Retrieved February 6, Retrieved February 3, Mix Magazine.

Archived from the original on June 4, Retrieved February 4, September 15, December Archived from the original on June 9, Retrieved January 31, Digidesign, Inc. Retrieved October 23, December 15, Retrieved January 4, Pro Tools Main Windows. Clip Gain and Clip Effects. Time, Tempo, Meter, Key, and Chords. Editing Clips and Selections. Elastic Audio. AudioSuite Processing. MIDI Editors. Score Editor. MIDI Editing.

Working with Video in Pro Tools. Pro Tools Setup for Surround. Basic Mixing. Committing, Freezing, and Bouncing Tracks. Track Presets. Track Collaboration. Working with Field Recorders in Pro Tools. Satellite Link. Pro Tools Video Satellite. Working with Synchronization. Retrieved December 12, Pro Tools Systems. Pro Tools”. Retrieved January 28, Retrieved November 11, July September 16, Retrieved August 26, Retrieved April 12, Retrieved May 12, Retrieved November 1, February 19, Retrieved April 1, Retrieved January 29, March 24, Retrieved May 3, Retrieved May 30, Retrieved September 17, Retrieved December 15, Collins, Mike Pro Tools for music production: recording, editing and mixing.

Oxford : Focal Press. ISBN

 
 

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